I discovered that in a story I could safely dream any dream, hope any hope, go anywhere I pleased any time I pleased, fight any foe, win or lose, live or die. My stories created a safe experimental learning place.

Yes – it’s the same in any other work – the more you massage your thinking the more capable I believe you are of expanding how you go about things and learning.

I’ve definitely had my fair share at shaking my fists at the gods of Hollywood, but I’m learning that I cannot think that way or I will go crazy.

I avoid the media circus, keep my head down and try to keep growing and learning things.

That was the reasoning behind learning to play bass, and then after that it was more like it was neat to play songs together – for me to play bass and for him to play guitar.

The hardest of all is learning to be a well of affection, and not a fountain to show them we love them not when we feel like it, but when they do.

Since we can’t know what knowledge will be most needed in the future, it is senseless to try to teach it in advance. Instead, we should try to turn out people who love learning so much and learn so well that they will be able to learn whatever needs to be learned.

I can always see what I’ve done wrong. I’m always learning. I’m the perennial student.

I’m thinking about learning a few new things – like taking classical guitar lessons – and I’d like to bring what I learn into hard rock.

Every time you go in, it’s like starting over. You don’t know how you did the other records. You’re learning all over. It’s some weird musician amnesia, or maybe the road wipes it out.